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Tips for
the Artisticby B. Amundson
Art Geek: Kev Monko
Recent polls have indicated that there are approximately 12 million
working artists in the United States, or roughly 5% of the population.
These polls also reveal that, of the remaining 95% of the population
involved in more banal pursuits such as test pilot or 7-11 clerk,
over 75% would rather pursue a career as Artist.
There are many reasons for this. One is that the term "Artist" carries such romantic connotations, with images of insight, indulgence, and bohemian romps with unadorned models immediately springing to mind. Another is that artists actually increase their reputation and salability by behaving in a manner that would cause normal, less-gifted people to lose their jobs and credibility.
Now I can already hear many of you asking, "Just how do I become one of these highly Artistic Individuals anyway?" That's a good question. You don't just draw Winky or The Pirate on a cocktail napkin and wait for truckloads of money to roll in like the old days. No, becoming the contemporary Artistic Individual can be a complex and frustrating matter, ridden with paradox and contradiction. In some cases, you may even be expected to indulge in unique thought and original creation, although this remains the exception rather than the rule.
I've personally reaped the benefits of being an Artistic Perceptive
Fellow for over a dozen years now, so I thought it would be wonderfully
selfless of me to offer some of my expertise to you neophyte creative
ones out there. Remember, there are no set rules on the road to
a truly Artistic Lifestyle, so please think of this humble primer
as a series of stylistic signposts and nothing more.
Be sensitive at all costs
I can't stress this enough. Artists are supposed to be creative, and the best way to manifest this creativity is to appear sensitive all the time. Remember, as a Sensitive Individual, you can see things others cannot. You are full of depth and can perceive the essence of objects in terms of light, texture, chroma, and value. Because of this, you are capable of achieving extreme transcendental highs just by looking at normal stuff like deer, sunsets, and gnarled wood. Use this to your advantage. If worse comes to worst, you may actually have to paint or sculpt these things, but if you play your cards right, that shouldn't be necessary. Your blissed-out state will be mistaken as Artistic Integrity.
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You are capable of achieving extreme transcendental highs just by looking at ... gnarled wood. |
There is a down-side to sensitivity, however. Because you're so
perceptive, you're also very attuned to all the world's suffering,
tragedies, bummers, and meaninglessness. This can lead to serious
depression but can also work on your behalf because the Real Artist
is supposed to
Be Temperamental
Creative people are moody. This is because they spend so much time dwelling on deep things. The Introspective Funk is accepted, even encouraged in Artists, because this is where ideas and focused intensity come from.
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Be tempermental ... which should involve much storming in and out, yelling, and a great deal of gesticulation. |
One should never be moody and introspective alone, however. Always
do it in public, preferably over a cup of cappucino or a glass
of red wine, so people don't forget how deep you actually are.
Make sure you alter this with an occasional acrimonious outburst,
which should involve much storming in and out, yelling, and a
great deal of gesticulation. This will make people believe you
are deeply passionate and very, very Artistic in temperament,
which is always a good thing. During these outbursts, don't forget
to
Blame Others for Your Lack of Success
Remember, the Real Artist isn't unsuccessful, just misunderstood. Good scapegoats include power-hungry Capitalists, materialistic yuppies with specially designed charge cards, the desensitizing nature of network television, and anyone who happens to be emotionally involved with you at the time. Whine about how people don't understand the "real you."
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To exhibit artwork constitutes "selling out." Don't "compromise to the lackeys of commercialism." |
As a sensitive, Artistic Type, you don't need to know about superficial
topics like sports, politics, and current events. They're for
normal people. Instead, always make sure the topic of conversation
remains firmly on you, the Artist, and your triumphs and tribulations.
These should include your desperate lack of money because...
People Expect Their Artists to be Poor
The term "Starving Artist" has a ring of authenticity and depth to it that "Real Estate Developer" or "Tax Accountant" can never attain. Therefore, even if you have loads of trust funds, a tidy but impressive stock portfolio, and spend summers with Daddy in Newport, don't let on. People who truly appreciate Art want their Artists poor, bohemian, and generally miserable. In fact, the term "bohemian" is derived from an obscure Czech dialect and literally means "one who garners respect and admiration for living like an animal."
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Bohemian means, literally, "one who garners respect and admiration for living like an animal." |
Bohemians feed exclusively at opening receptions and are often
sighted sporting berets, which for some reason is still an accepted
form of Artistic recognition. Bohemians are poor because, like
all True Creatives, they have no readily employable skills at
their disposal. This is not necessarily a bad thing, because in
many cases work can irreversibly hurt an Artist's inspiration.
Some naive types think they can survive by showing and selling
their creations, but the Real Artist knows that the cardinal rule
of creativity is...
Never Exhibit Your Work
To exhibit artwork constitutes "selling out," a sin of venality
right up there with sloth, gluttony, and lusting in the heart.
Hundreds of hot-blooded seminar hours are spent on this topic,
and the general conclusion is that to exhibit artwork is to "compromise
to the lackeys of commercialism" and that gallery owners "feed
off the gorged carcasses of the Creative." In other words, something
the Sensitive Individual is better off avoiding altogether. Lastly
--
Always Remember Which Side of the Brain to Use
This is important. It's the right side. THE RIGHT SIDE!!! Accidental use of the left side of the brain could cause irreversible damage, with the Artistic One suddenly immersed in a successful career as a junk bond salesman or bank vice president, which is unacceptable under any circumstance.
Go to the B. Amundson page.
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